I want to pass on this concise ChatGP4o summary of a recent piece by Venkatesh Rao titled "Not Just a Camera, Not Just an Engine":
The author critiques two dominant narrative styles shaping our understanding of current events:
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Blind builder narratives, which enthusiastically act without deeply understanding the world, and
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Helpless witness narratives, which see and interpret richly but lack agency to act.
Both are seen as inadequate. The author proposes a third stance: “camera-engine” narratives, or constitutive narratives, which combine seeing and doing—observing reality while simultaneously reshaping it. These narratives are not just descriptive but performative, akin to legal speech-acts that create new realities (e.g., a judge declaring a couple married).
This concept implies that meaningful engagement with the world requires transcending the passive/active divide. Seeing and doing must occur in a tightly entangled loop, like a double helix, where observation changes what is, and action reveals what could be.
People and institutions that fail to integrate seeing and doing—whether Silicon Valley “doers” or intellectual “seers”—become ghost-like: agents of entropy whose actions are ultimately inconsequential or destructive. Their narratives can be ignored, even if their effects must be reckoned with.
To escape this ghosthood, one must use camera-engine media—tools or practices that force simultaneous perception and transformation. Examples include:
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Legal systems, protocols, AI tools, and code-as-law, which inherently see and alter reality.
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In contrast, “camera theaters” (e.g., hollow rhetoric) and “engine theaters” (e.g., performative protests) simulate action or vision but are ultimately ineffective.
The author admits to still learning how best to wield camera-engine media but has developed a growing ability to detect when others are stuck in degenerate forms—ghosts mistaking themselves for real actors.
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